Hulon Crayton – Smooth Jazz Tenor Sax

15 Feb

Colored People® Network Presents… Hulon

Hulon released his debut release, First Impressions, via Premier Musique Group (owned by his son, Hulon E. Crayton II) in 2010.

Hulon Crayton – Smooth Jazz Tenor Sax

His first album, First Impressions, peaked at #25 on the Billboard Smooth Jazz Chart in April 2010. First Impressions was produced by noted smooth jazz artist Jeff Kashiwa and included eight original songs co-written by Kashiwa and Hulon, and also features a cover of the song “The Cisco Kid” by the band, War.

The song “Sax on the Beach,” served as the album’s first single and reached #16 on the SmoothJazz.com Top 50 Indie Chart and was featured on the noted jazz website AllAboutJazz.com, in addition to receiving national and international airplay at terrestrial and online radio. The song “Dr. Goodfoot” served as the album’s second single.
Hulon’s second release “After Hours” features Howard Hewitt, Geoff McBride and new radio single, “Do You Fell Me”

Hulon has once again collaborated with mentor, composer, producer and fellow saxophonist Jeff Kashiwa who is world renowned for his years with The Rippingtons.

The new 11 track set released February 7, 2012 includes a vocal and instrumental version of the 1977 Heatwave classic “Always and Forever” and eight originals penned by Kashiwa which play to Hulon’s strengths as a soulful balladeer and a smooth R&B/Funk performer.

Some of our favorites are “You are Beautiful”, “Speak Easy” and the featured radio single, “Do You Feel Me” to name a few. Kashiwa again brought in some of contemporary Jazz’s most powerful and dynamic players to take Hulon’s new musical collection to the next level including drummer Dave Hooper, guitarist Allen Hinds,  bass player Melvin Davis and keyboardist Bill Heller, all of whom played key roles on Hulon’s first release.

In addition to his jazz career, Hulon is also a noted entrepreneur and philanthropist. Hulon runs The Arthritis and Infusion Center, a successful medical practice that specializes in the treatment of Rheumatological diseases and disorders as well as sports-related injuries. Hulon.com

My time in the office is devoted to physical healing. But when I’m recording or playing live onstage, that’s when the spiritual healing begins… Hulon

Hulon’s second release is hitting the scene in February and he will be with us to talk about his career and his many projects.

Join us February 26, 2012 at 5:30p Central / 6:30p Eastern and meet Hulon Crayton!

This show will be co-hosted by Chuk Barber.  In 1997, Chukinho as he is known by close friends, was called up to the “Big Leagues” to play alongside his musical heroes and is now a member of the 70’s and 80’s Funk/Soul Group WAR now called “The Original Lowriders”. He is also a first time author and has written a wonderful story of strength and determination, entitled “Dear Xango.” I really appreciate him for his work at his Capoeira school “Criancas de Zumbi”.

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Photo: Chuk Barber – The Original Lowriders AKA WAR

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IT WAS A TIME OF INNOCENCE DENIED – By Michael “EJ” Green

1 Feb

This article was originally published on Unity Magazine

It was the nineteen fifties, a time of great change in the United States, especially for African Americans, it was a time of forging ahead and making new roads, without detours. This is the story of two people from two very different cultures who made a new road for  themselves and the family they produced. It all started in the early 1950′s when my mother fell in love with my dad. My grandparents owned a popular restaurant in Hartford, Connecticut. My Mom (Harriet Seagull) had three other sisters; that also worked at this dining establishment. In those days it was not uncommon to have African Americans working as waiters, waitresses, dishwashers and other such duties. This is how this real life story evolved, Morris Green (my Dad) and Tom Eaton (my Uncle) both African Americans and good friends, were smitten by the Seagull women (Harriet my Mom and Beverly my Aunt) eventually a relationship developed between the two couples, a very discrete relationship. The relationship had to be discrete, if they were found out, the house of cards could fall, and the family would be thrown in a religious and racial cataclysm. Ironically either of the Seagull women knew what the other was doing at the time. (When I interviewed my Mother for this article, she was reluctant after all these years to name the specific restaurants her family owned or the names of her various family members. She (Harriet) didn’t give me a specific reason, but I could hear a lot of pain in her voice and I dropped the subject.)

Accidental rebels, in the age of conservatism, McCarthyism, communism, segregation, the Mason Dixon Line had no borders. Yet it was a time of innocence, love runs deep, to escape the unenviable crucifixion by ethnicity, they left Hartford, Connecticut for the safety of California. My Father used the power of the Mason ring so that they could marry. Marriage between the races was not encouraged or in some States it was illegal, in those days; it was 1952 Moe, as my Mom (Harriet) would call him, used the “ AAA Green Book” to navigate the northern route to California. The “ AAA Green Book” was the yellow pages for African Americans at the time; it contained hotels, motels, coffee shops, restaurants, etc… that accepted “colored people”. Without this book, a “colored person” could easily venture to the wrong establishment in a new town, a lynching was not an unreasonable punishment for such a mistake. What I found so profound in those days, European Americans like my Mom could easily assimilate in the African American community without distain, and unlike my Dad attempting to move in a “white community” could prove very unhealthy or worse, deadly. African Americans have historically been very accepting of different races in their neighborhoods, and in terms of mating outside of the race; most African Americans accepted this, then and now.

When they finally made it to California a relief ensued, they were safe from Jim Crow laws, in a sense; California was not immune to racism. Again this was still the early 1950’s. For the colored race, there was no celebrating in the streets, no parade, no proclamation of the end of Jim Crow laws, the Phoenix has yet to rise, Martin has not yet reached the mountain top, the dream was only a dream in the early fifties. This was before the Civil Rights Movement; America was still a very scary place for minorities.

My Parents settled in Los Angeles, in the Mid City district, just east of Crenshaw Blvd. It was a middle class neighborhood, mostly European Americans and a growing African American community, it was a safe place to settle and not be harassed. That is not to say that some feeble minded individuals might have had a distain for this type of marriage. Los Angeles was and still is a very liberal minded city compared to other regions of the country.

Ironically, one day my Mom learned that her Sister Beverly also married and moved to the Mid-City area of Los Angeles. She married a man named Tom Eaton, as I indicated he was a good friend with my Dad. A wonderful relationship ensued between the two families, a common bond cemented the tribes together, both Jewish and Black. Either families were truly raised Jewish, but since Jewish law dictated that children born of a Jewish woman are Jewish, we are proud Jewish and African Americans, though I might add, my sisters and I were brought up in the Catholic religion, but that is a whole other story.

At some point my Mom and Aunt Beverly would have to come to the inevitable dilemma of how to break the news to their father and mother that they married African American men. In the  1950’s if you were white and you married Black this could be a huge problem. The Jewish community it was a given you would marry another Jew to keep the blood lines alive, the worst black eye one could give was to marry outside of the race.
I do not think my Mother and my Aunt were being rebellious; they met the men in their lives that they both loved. They devised a plan; they would rent an apartment and write back home they (my Mom and Aunt Beverly) are living together in Los Angeles. Unfortunately that plan failed when my Grandmother made a surprise visit and my Dad opened the door. My Grandmother almost had a coronary, game over. They paid dearly for that love; ultimately they were both ostracized from the family, for marrying black men and marrying outside of the religion. The Seagull Sisters were allowed to return to Hartford, but any discussion of their married life and children was considered a forbidden subject, my Grandfather went to his grave never learning of his grandchildren in California. To this day, I do not think my Mother ever got over the fact that she could never talk about her family to her parents; she was truly on her own. My Dads Mom (Mary) was very accepting of “us”, but by the time I was old enough to appreciate her love, she died. My Grandfather Fred died in 1945, long before I was born. To this day I do not know the names of my Mothers parents, nor do I care, they missed out on a beautiful family. I am glad later in life I met some wonderful Jewish people, who accepted my unique ethnic background and taught me about the Jewish culture and religion.

My sister Debbie was the first born in 1953, followed by my sister Pam in 1954, in 1961 I was born. My Sister Pam looked the most European of the three of us, Debbie is fair skin, one could tell she was black by the texture of her hair and her flat nose, as for me, I think I look like a combination of both of my parents.

When my Parents moved to Los Angeles, they bought a small apartment on Bronson Ave, one block east of Crenshaw Blvd. Debbie, the first born, was an ambitious child at age two, she was already ready to move out of the house. She (Debbie) would run down the street with my Mother in tow. Debbie would always stop at one particular house; a young Creole family lived at this particular house, the Ventresses. Evon who would become my godmother, and her husband Joe my godfather. This was the first couple my parents met; ultimately their family became a part of our family. They (the Ventresses) introduced my parents to other multi-racial families. This created a nurturing environment for all concerned; we grow up knowing there were other families just like us. This was no “Brady Bunch”, this was real, we had friends that looked just like us, and they had parents that were both black and white. Unfortunately in the Pre-Civil Rights days anything dealing with race was a big deal, even in California. There was a mountain so high, a river so wide, a dream about a Utopia where all races lived as one in peace and harmony, a delusional gesture in the nineteen fifties, for my parents and families like them, they were multi-racial pioneers and all they had was a dream for a better day.

One of my earliest memories of my father was on a trip from Los Angeles to New Jersey; I was a lad of three or four, my Dad planned this big trip for us in his new Lincoln Continental. Being the youngest, I was allowed to sit in the front seat next to my Dad and my Mom; in those days there were no car seats for kids, seatbelts was at best a novelty and an unnecessary piece of equipment according to the reasoning at the time.

Sitting next to my dad, I would pretend to drive, observing the changing topography as we drove. Occasionally he (Dad) would point out a particular location and talk about the significance of such locale; it was a teachable moment. What I learned most about this trip was how much I liked being with my Dad and how much I love to travel on the open road. Early this year I had a job in Sun Valley, Idaho, I passed through Utah and I recognized some of the same sites that my Dad talked about years since, I imagined I was a little boy again and he was there next to me, talking and sharing his knowledge with me.

What made this trip to New Jersey so special to me was that for the first time I was going to meet my Grandmother, Mary. She had a deep fondness for “us”, she was the only grandmother we would ever have contact with, to this day I keep her picture on my iPhone to share with my friends. Mary did not have a problem with my Dad marrying a “white woman”, as I indicated before, in the African American community marrying outside of the race was not a problem. My grandmother loved us, she was proud of us and she would always send us Christmas and birthday gift, until she died in 1969. I still miss her a lot. Unfortunately this trip to New Jersey was the only extended trip we ever made as a family, my Dad, died three years latter in 1968 of pancreatic Cancer. The trip to New Jersey is still in my heart, when I go for long drives I can still feel my dad next to me, keeping me awake, sharing his stories, maybe this is why I like to travel.

Growing up in Los Angeles I did not sense any racism, some of the kids in my class were lighter than me and had parents that are African American. When I went to an all white elementary school, for two years, I did not think my classmates knew I was a mulatto (this was a popular term at the time), at best they thought I was perpetually tanned. As I indicated, I did not look “black”, I looked Indian, Mexican, Egyptian, Mid-Eastern, I had curly black hair, light brown eyes, a thin nose, and I sucked at sports, I couldn’t hear the beat in a song, which meant I could not dance or sing, I went against every African American stereotype. At one point in my early life, I thought the NAACP would find me out and kick me out of the African American race, fortunately my friends did not give me a hard time for being non-athletic, lack of dancing and singing abilities, instead “they” embraced me, they knew I had other talents, I just had to learn what those talents were, and then master such talents. Living in Southern California, being bi-racial was not a big thing, especially in the last half on the twentieth century. Did my friends treat me different because of my background? No. I think I was judged on who I am and how I treated other people. If I was brought up in another state, my experiences might have been different.

In the early eighties I went to Atlanta for the first time; on the flight to Atlanta I was surrounded by European Americans, they were extremely cordial to me; some even invited me to their homes for a dinner. I was surprised, I thought the South was racist, what I realized on this trip, I was treated warmly by white folks when I was by myself, when I was in the company of other African Americans I was not treated so nice. The African American population treated me like a star, especially when they learned I was from Los Angeles. The experience was good, if I did not live in Los Angeles, I would definitely move to Atlanta. Ironically, most of the women I dated or married were from the South, I love southern women, not that I do not like women from other regions of the country.

After I graduated from Loyola Marymount with a BA in communications; I met my first wife at a department store where I was working. We married a year latter. “Clara” had a daughter from a previous relationship, Taunjinikia or Taunji for short; Taunji at the time was barely a year old, I instantly feel in love with her. To this day we are very close to each other, I still consider her my biological daughter. Clara is from Livingston, Alabama, but moved to Los Angeles because of job opportunities; Livingston is a small college town and Clara had a dream about breaking into the movie industry as an actress.

She had a few small roles, but never that pivotal role that could have moved her to stardom. I got my first entertainment job working for Merv Griffin Entertainment as a production assistant and page on the Merv Griffin Show. I had a chance to meet Merv on several occasions and worked on Merv’s last show, he was a very special person. I got a little restless and I wanted to move forward with my career, so I left the company to pursue other endeavors. Unfortunately such independent efforts did not necessarily lead to a paycheck. For thirteen years I worked the graveyard shift at the Los Angeles Daily News; first delivering papers to Hollywood Park and other locations, then to racks and newsstands in the South Bay and latter as manager in charge of the single copy department. This job allowed me to pursue positions on low budget films; many of these films did not pay, but they were a great training ground for me, I was a soundman, still photographer, production assistant, and I directed and produced a music video.

The marriage did not survive my brutal schedule, when I was not working, I was exhausted and I slept, this was not conducive to a lasting marriage, especially when I had little money for my labor. However, even after the demise of my marriage Taunji was with me on weekends, she would fall asleep as I drove to my schedule newspaper stops, at the end of the run I would treat her to Randy’s donuts. Randy’s is one of those iconic places in LA, located at La Cienega and Manchester with its big brown donut located on the roof. This donut shop has the best donuts in the west coast in my opinion. Taunji kept me happy; because she is just a great person with a smile that can light up a room, even when she moved away, we always kept in touched. If there is anything I think I am really good at, is being a father, since my Dad died when I was seven, I always wanted to be a Dad, life sometimes does not move in the direction we may yearn for; but there are always ways to be a father figure to someone, like to Taunji, my nieces and my grand nephew Kevin.

Flash forward to March of 2000, I married my second wife Lecia Battle-Green-Wright, she was frustrated with me because I was still working on these low paying jobs in the entertainment industry and not making any headways. I was going to ignore an ad in one of the trade papers for a motor home driver, she encouraged me to apply; I am glad I did, that job was the turning point in my life. I was hired on the spot, I quit the Daily News and for the first time in my life I was making some decent money. The Producers at 5th and Sunset had a lot of faith in me and I took a lot of unnecessary work off their back regarding our small fleet of RV’s. I learned a lot about the mechanics of these vehicles, because there were always issues with the motor homes. No one person was handling the maintenance, so there were mechanical issues cropping up, which was bad for business, so I took some initiative to fix such problems, I surveyed each motor home with the mechanics at Bench Mark RV to make sure all problems would be fixed before an RV would go out for a job. To this day I do a pre-trip and a post-trip on all my vehicles looking for potential issues. I was promoted to transportation captain for my effort and a bigger paycheck.

Commander Stephen Sherman and Los Angeles Mayor Antonio Villaraigosa (Photo by Michael Green)

The sad statement about the entertainment industry, especially the photo shoot world, is the industry is still extremely “white”, I have only worked with several African American photographers and never a female African American photographer. Usually I am the only “colored person” on these shoots. In the ten years I have been in this business I have never worked for an African American producer, though I have worked with producers from Argentina, Pakistan, Asia and Japan. Most of the time my clients are surprised about my ethnicity, usually a conversation ensues, I am not aware that I ever lost a job because of my ethnicity. A good portion of my clients are Jewish, so being Jewish is a real plus, but I am always clear with them that I am not a practicing Jew, and they usually tell me that they are not practicing Jews either.

Once I worked with a rap group from Tennessee, they initially gave me a hard time because they could not figure out my nationality. Finally they confronted me about where I was from, I explained that I came from planet earth, I heard the sounds of guns clicking, they did not possess a sense of humor, I had to answer quickly or else I was going to make the evening news; “RV driver shot by Rappers story at 11”. I explained that my mother is Jewish and my father is African American, so one of the guys called me Afro-Jew, we laughed, and I lived to tell another joke, to this day when I work with this rap group, they call me Afro-Jew or a “brother from another mother”.

When 5th and Sunset went out of business in 2004; I aligned myself with many of those same producers I worked with at the 5th, I called my company Mike Green RVs. It was a scary time, I was very happy working for a company with a paycheck every two weeks, benefits and a 401k plan. I had one motor home at the time, a Holiday Rambler-Neptune, it was a nice starter RV, with two slide outs, a make-up/hair station, wardrobe in the rear and two TV’s with a satellite.

I no longer work solely on photo shoots, I work on commercials, music videos, TV and feature films. My client base has broadened, even in a bad economy I have learned to adjust my bottom line and provide good service. I like to think of myself as a sort of pioneer, there a few African American run RV businesses in Hollywood and I am the only company that provides motor homes from San Diego to Seattle. I do not let the color of my skin handicap me, I use it to my advantage. On music videos with R & B and Rap acts, I always remind them that I am an African American business and I appreciate their business. Which brings me to another point, the only time I see African Americans below and above the line in any abundance is on an Afro centric projects, like a music video or a movie with a star who is African American. When “they” learn I own my own motor homes they are surprised and impressed, usually only European American companies own equipment in Hollywood.” My big wish, is that I would like to see more young people of color get in the business at some capacity other than just in front of the camera or the microphone. African American and other artist of “color” who have a big voice in the industry need to take a stand and insist on using minority run companies, like mine on their projects.

Today, I have two luxury motor homes, a fifteen-passenger van, two portable restrooms and a business partner who helps me with the business. I serve the entire west coast and neighboring states. I expanded beyond Southern California to obtain more work and because I love to travel, my camera is always next to me, I probably have over three thousand pictures on my Mac from the various locations I have traveled to. The zest to travel comes from that trip I made with my family back in 1964. I still see my Dad sitting next to me in my co-pilot seat, educating me about the geological formations, historical sites or just telling me he loves me.

If you have any questions regarding this article or what I do in the entertainment industry you can e-mail me at: mgreen2528@sbcglobal.net.

Check my blogs at:

http://amoralperspective.blogspot.com/

http://michaelgreenthervexpert.blogspot.com/

http://dorriemillerchronicles.blogspot.com/


Join us February 5, 2012 at BlogTalkRadio.com/ColoredPeople and meet Michael Green as he shares his projects and his life with us.

3:30p Pacific/ 5:30p Central/6:30p Eastern

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Copious Jones Band – Soulful Rock

20 Jan

Meet us at 5:30p Central 6:30p Eastern

Four talented guys from Atlanta, GA. got together and started jamming January of 2010. From the local Georgia scene, the group gained popularity in a very short period and found themselves working in a full production being recorded at Tree Sound Studios with Grammy nominated engineer Miguel Scott and studio owner Paul Diaz.

They have been invited to attend various festivals attracting over 20,000 people and with their soulful rock vibes, the sky is the limit.

Some of the songs I enjoy are: The Siren’s Song, A Vagabond Lovesong, For The Love of one … to name a few, however these are songs from their original recordings.

You can visit their site CopiousJones.com and download their music Free and to support the group and help them keep making this beautiful music, be sure to make a donation.
They are currently recording their first CD project.

Join us January 22, 2012 at 5:30p Central / 6:30p Eastern as we meet the band and talk about their music and future plans.

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Copious Jones Band – Soulful Rock

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Elaine Lewis presents legendary “The Silhouettes” 11/06 by Colored People | Blog Talk Radio

19 Oct

Elaine Lewis presents the legendary The Silhouettes 11/06 by Colored People | Blog Talk Radio.


The Sillhouettes

Doo-Wop originated in the ’40s in African American communities and became maintream in the ’50s and 60′s. The Orioles helped develop the doo-wop sound with their hit “It’s Too Soon to Know” by Deborah Chessler (1948).

Some of the popular groups and their songs:

1954 The Penguins – Earth Angel

1954 The Wrens – Come Back My Love

1955 The Rainbows – Mary Lee

1955 The Valentines – Lily Maebelle

1957 The Monotones – Book Of Love

1957 The Charts – Dance Girl

1958 The Danleers – One Summer Night

1963 The Crystals – Da Doo Ron Ron

To name a few…

The Silhouettes – The Silhouettes were a Philadelphia doo-wop and soul group best known for their self-penned song Get A Job, recorded in 1957 and a number one hit on the R&B and pop charts in 1958.


Photo Courtesy: TheSilhouettes.org

Original Members

Bill Horton (lead, 1956-61, 1980-93)
Raymond Edwards (bass, 1956-61, 1980-93)
Earl Beal (baritone, 1956-68, 1980-93)
Richard Lewis (tenor, 1956-68, 1980-93)

The Philadelphia Tribune 15 March 1958
Gold Record presentation for Get A Job
Viola Williams, Bill Horton, Raymond Edwards,
Dick Clark, Kae Williams, Earl Beal, Rick Lewis

Kae Williams was the group’s first manager and instrumental in getting The Silhouettes on the map with “Get a Job”.

He was a prominent radio personality and the father of our very own D.A. Williams. Click here to listen to our interview with D.A.


The New Silhouettes in 1968
Back: Richard Lewis, Cornelius Brown
Front: Earl Beal, John Wilson

Courtesy of: TheSilhouettes.org

 

Later Members

John Wilson (lead, 1961-1968)
Cornelius Brown (bass 1961-1968)

Elaine Lewis, widow of Silhouette Rick Lewis was an integral part of the group’s revival in the 1980s and who is now releasing a brand new CD compilation of the groups music.

Elaine was born in Philadelphia, PA. and as a child picked up the guitar right away, parents bought her a uke when she was around 10. She says: “Thanks to Elvis Presley being all the rage. I figured out chords on my own, I later found out that what I was playing were real chords–C, Em, G and so on. Later was given a really cheap guitar with a chord book and learned all the chords from that and I played by ear and played along with the radio and records…”

Elaine Lewis 1964

Courtesy of: TheSilhouettes.org

The CD took a year to complete, and Elaine had material on every kind of medium–records, reel-to-reel tapes, MP3′s, cassette tapes, CD’s, even her phone’s voice mail had material.

The CD is very creative, a fabulous tribute to the group and a wonderful collectors item.

We are honored to have her with us on Sunday, November 6, 2001 at 3PM Pacific /5PM Central/6PM Eastern.

Elaine Lewis presents the legendary The Silhouettes 11/06 by Colored People | Blog Talk Radio.

Visit the Silhouette’s official website for history, photos, discography and much more. TheSilhouettes.org

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The Fanatic Experience – Laying Down New Tracks

9 Jul

Due to tech difficulties, this show was not broadcasted in its entirety. You will only be able to listen to introductions. Our apologies

Andreao “Fanatic” Heard is a well established Grammy award winning, Multi-Platinum Record Producer and worked as one of P.Diddy’s Hitmen.

Andy Heard has also worked with Michael Jackson, Beyonce, Will Smith, The Notorious B.I.G., Lil’ Kim, Anthony Hamilton, Boyz II Men, Al B. Sure, Angie Stone to name a few.

He produced the song “Heaven Can Wait” featured on Michael Jackson’s 2001 album “Invincible”, released by Epic Records.

His Grammy was won for producing superstar Beyonce Knowles song “Speechless”, featured on the 2003 “Dangerously in love” album released by Columbia Records.

With all the success in his 12+ year career, Fanatic seeks to produce his own music as an artist where he has control of the content and delivery and his new album speaks a positive message as he seeks to focus on the beautiful music of “Old School” groups.

His debut single “Who’s Luvin You Now” is available on Itunes.

ANDRE HARRELL (founder of Uptown records and discovered Mary J. Blige, Jodeci, Al B. Sure) “In Fanatic I see all the qualities of a superstar”

ANTHONY HAMILTON (Jive recording artist)
“Really BIG records here! Knowing him and his concepts with matching the imagery with the music,
he should sell a lot of records.”

TERON BEAL (song writer for Michael Jackson, Bonnie Raitt, Mya) “Fanatic at the helm of the production, lyrics, and tight vocal performances takes his records to some new next level shit! It’s like Prince’s “Sign ‘O’ The Times” meets the new millennium. Hot! Very hot!”

MICHELLE BELL (song writer for J-Lo, Britney Spears, Mary J. Blige) “Fanatic is innovative and original artist. His music is avant-garde but very accessible. He’s got an incredible mix of Rhythm and Blues, Rock and Pop with a fresh twist.”

Q-TIP (Motown recording artist & formerly of A Tribe Called Quest)
“Fanatic’s influences are very apparent. He’s done his homework”

CURTIS RICHARDSON (song writer Joss Stone, Rihanna)
“Fanatic will touch the hearts, minds and souls of many “UNIVERSALLY

LONDELL McMILLAN (attorney for Prince, Michael Jackson, Stevie Wonder)
“From his previous work and his whole aura I knew these records were in him”

GORDON CHAMBERS (songwriter for Whitney Houston, Chaka Khan) “Fanatic tugs at your flesh and spirit and mixes up genres in the spirit of Prince. I’m able to really feel the emotion in his song writing. Should resonate with those that have experienced a love that was lost.”

FATIN DANTZLER-THE KINDRED FAMILY SOUL (Hidden Beach recording artist) “Fanatic has evolved from a producer to artist and made the transition so smooth. He’s a natural born star”.

This show will be hosted by our network host Tania-Maria Xavier and we welcome our very own TC Thompkins as the co-host for this show.

Mr. Thompkins has over forty years experience in the music industry as an entertainment consultant and radio specialist. He established his company, “Thompkins Marketing “, after leaving the position of vice President of CBS Records now known as Sony Music. Under his leadership, Epic and Associated Labels had been the number one urban label in the world for three years running… He is also one of the sponsors of our 2011 ColoredPeople.net Calendar for Haiti available at Lulu.com/ColoredPeople

Join Tania-Maria Xavier and co-host TC Thompkins at 7pm PST/9pm CST/10pm EST on BlogTalkRadio.com/ColoredPeople as we meet Fanatic whose career is taking on a new direction as he “lays down new tracks”!

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A Conversation with Bruce George & Poetry Discussion Panel

1 Jul

This show was created with the purpose of discussing Poetry. A panel of well known established Poets and Spoken Word artist will meet to have an educational, enlightening and constructive discussion on misconceptions and realities associated to what is Poetry and Spoken Word. This show will feature Bruce George for the first 30 mins and we then bring in the panel.

Confirmed Panelist:

JaySkills Snowden – *Co-Host* – Senior judge – “Def Poetry Jam” first season. Founder of the Brooklyn Moon Cafe’s Slam team

*Brooklyn Moon Cafe Slam Team Winner – Apollo Theater.

*Brooklyn Moon Cafe’s Slam Team Winner against the Nuyorican Poet’s Cafe’s Slam Team.

*Solo Slam Winner against the Nuyorican Poet’s Cafe’s Slam Team. NY

*Winner of New Yorks Hottest Poets Slam contest at the National Black Theater, Harlem NY

*Has never lost a slam contest

*Founder of “Angels with Broken Wings” and Producer of the Angels with Broken Wings Documentary regarding the Truth About The Prison Industrial Complex and The Criminal Justice System..

Bruce George *Initial 30 minutes* – Bruce is a visionary, executive producer, writer, poet and activist. His work has been published in major magazines, anthologies, and literary publications. Bruce is the Co-Founder of the critically acclaimed award winning “Russell Simmons’s Def Poetry Jam.” As an activist Bruce has been and currently is associated with major grassroots organizations that fosters and uplifts people in struggle.
He’s also the Founder/Managing Editor of “The Bandana Republic, an Anthology of Poetry & Prose by Gang Members & Their Affiliates.”

Abiodun Oyewole – Founding member of the American music and spoken-word group “The Last Poets” (David Nelson, Gylan Kain, and Abiodun Oyewole, were born on the anniversary of Malcolm X’s birthday May 19, 1968 in Marcus Garvey Park.)
The group grew to consist of David Nelson, Gylan Kain, Abiodun Oyewole, Felipe Luciano, Umar Bin Hassan, Jalal Nurridin, and Suliamn El Hadi.

Abiodun Oyewole has had a number of projects not under the Last Poets name, such as the CD 25 Years. Oyewole, spent 15 years in the New York school system, also taught at Columbia University.

Louis Reyes Rivera
Poet/essayist Louis Reyes Rivera has been studying his craft since 1960 and teaching it since 1969. The recipient of over 20 awards, including a Lifetime Achievement Award (1995), a Special Congressional Recognition Award (1988), and the CCNY 125th Anniversary Medal (1973), Rivera has assisted in the publication of well over 200 books, including John Oliver Killens’ Great Black Russian (Wayne State U., 1989), Adal Maldonado’s Portraits of the Puerto Rican Experience (IPRUS, 1984), and Bum Rush The Page: A Def Poetry Jam (Crown Publishers, 2001).

Considered by many as a necessary bridge between the African and Latino American communities, he is a professor of Pan-African, African-American, Caribbean and Puerto Rican literature and history whose essays and poems have appeared in numerous publications, including Areyto, Boletin, The City Sun, African Voices, and in five award-winning collections: In Defense of Mumia; ALOUD: Live from the Nuyorican Poets Cafe, Of Sons And Lovers, Bum Rush The Page, and his own Scattered Scripture.

Keith Roach – Poet, author, activist, Keith has produced a variety of reading series around New York City and is a former long time host of the Nuyorican Poet Cafe “Open Room” and SlamMaster of the Friday night slam and co-curator of the 2006 Mid-Atlantic Poetry & Spoken Word Festival. Currently he co-produces the internet broadcast, NoBoarders Poetry Radio , formerly known as Eadon’s Place, and hosts “Conversations with Keith” which airs on NoBoarders Poetry Radio.

Tantra-Zawadi an award winning poet/artist/filmmaker from Brooklyn, New York, has performed to standingroom audiences at venues as far away as South Africa, London, Germany and Toronto.

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Join your host Tania-Maria Xavier and co-host JaySkills Snowden on July 1 at 6pm PST/8pm CST/9pm EST

http://www.blogtalkradio.com/coloredpeople/2010/07/02/poetry-spoken-word–discussion-panel

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Webplayer! A Conversation with Bruce George & Poetry Discussion Panel

1 Jul

Listen to internet radio with ColoredPeople.net on Blog Talk Radio

Bill Curtis & The Fatback Band

19 Jun

A seminal funk ensemble, the Fatback Band made many great singles through the ’70s and early ’80s, ranging from humorous novelty tunes to energetic dance vehicles and even occasional political/message tracks.

The original lineup featured drummer Bill Curtis, trumpeter George Williams, guitarist Johnny King, bassist Johnny Flippin, saxophonist Earl Shelton, and flutist George Adam. Synthesizer player Gerry Thomas, saxophonist Fred Demerey, and guitarist George Victory were integral parts of the group during their peak years.

They began recording for Perception in the early ’70s, and had moderate luck with “Street Dance” in 1973. They moved to Event in 1974, and while funk audiences loved such songs as “Wicki-Wacky” and “(Are You Ready) Do the Bus Stop,” they didn’t generate much sales action. Their first sizable hit was “Spanish Hustle” in 1976, which reached number 12 on the R&B charts. They shortened their name to Fatback in 1977, and landed their first Top Ten R&B hit with “I Like Girls” in 1978.

Their 1979 single “King Tim III (Personality Jock)” is widely considered the first rap single in many circles. But their biggest year was 1980. They scored two Top Ten R&B hits with “Gotta Get My Hands on Some (Money)” and “Backstrokin’,” their finest tune.

Fatback kept going through the mid-’80s, landing one more Top 20 hit with “Take It Any Way You Can Want It” in 1981. They were backed by the female vocal trio Wild Sugar in 1981-82, and Evelyn Thomas also provided the lead vocal for “Spread Love” in 1985, their last song for Spring. Fatback also recorded a pair of LPs for Cotillion in 1984 and 1985.

~ Ron Wynn, All Music Guide

Join your host, Tania-Maria Xavier and co-hosts Jay (JaySkills) Snowden, who is a music and executive producer, author of Angels With Broken Wings and Chuk Barber percussionist for The Original Lowriders AKA WAR and author of Dear Xango. We look forward to meeting the band and talking about their career, their new album “Bill Curtis & Friends” and future projects.
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Webplayer! Bill Curtis & The Fatback Band

19 Jun

The Colors of Music V – Featuring ColoredPeople.net Talented Members!

6 Jun

The Colors of Music – Music show – June 17 @ 10pm EST at BlogTalkRadio.com/ColoredPeople

Franky Gaskin – Jazz guitarist, Multilingual Poet, Composer, and Author. Playing the Bass, Chords, and Melody all at the same time on the guitar and composes in English, French, Portuguese, Spanish, Arabic, and Hebrew. He is also author of the books, “The Frank Gaskin Method of Guitar Mastery” In English and Spanish, and “Polytonal Superimposition a musical science”.

Bill Curtis’ popular group, The Fatback Band is most known for their Top Ten R&B hits, “(Do The) Spanish Hustle”, “I Like Girls”, “Gotta Get My Hands on Some (Money)”, and “Backstrokin’”. Their 1979 single “King Tim III (Personality Jock)” is considered by many to be the first rap single. We are excited to have them with us for an interview on June 24 right here at BlogTalkRadio.com/ColoredPeople

Hulon – First Impressions is his first CD. During a feature sneak peak of the album on WKGC-FM, J. Harley Pummill said, “when he’s not making people feel better as a doctor, he’s making them feel better listening to his music.” Pummill goes on to add, “I love the first track on it (The Cisco Kid).”

Setra Sundahta – AKA Daughter of the Sun – Upon first listen, one might be tempted to compare Setra to Sade or India Arie because of her sultry vocals and folksy guitar strums or to Carole King for her catchy melodies and clever, magical story telling skills. But then, as one continues to listen, it becomes crystal clear why Girlistic Magazine called Setra’s first CD “must have music.”

Denise Kirkland – Both classy and sassy, Kirkland brings snap, crackle , pop and sizzle to the tradition of jazz, the rambunctiousness of the blues and the slickness of R&B.

Join us June 17, 2010 at 7pm PST/9pm CST/10pm EST at BlogTalkRadio.com/ColoredPeople

To *only listen over the phone*, dial (712)432-0075 Passcode: 900080.

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Sponsored By: http://www.DaughterNature.com

Join your host Tania-Maria Xavier on June 17, 2010 at 7pm PST/9pm CST/10pm EST at BlogTalkRadio.com/ColoredPeople

CALLING ALL COLOREDPEOPLE.NET JAZZ ARTISTS! COMING SOON! STAY TUNED!!

We are pleased to announce our own online radio show “The Colors of Music” hosted by Tommy Webb at www.WebbRadio.com!


Show will Debut June 14th at 9am EST!!
Thank you!

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